Wideview Serial Keygenreter there. This is our list of BACK 2 BACK Hits 45 RPM VINYL Records made especially for jukeboxes. Currently most of the below items are out of print, but we are keeping the. Cody Chesnutt (stylized as Cody ChesnuTT). Furthermore, he stated in an interview that he would publish his second big album Landing On A Hundred in 2012.

A decade after his debut, The Headphone Masterpiece, Cody ChesnuTT refines his blend of old-school R&B and hip-hop attitude on Landing on a Hundred. Here, the Atlanta native sheds his bad-boy persona for a more mature outlook without losing his lyrical wit or musical daring. Partially recorded at Memphis’ legendary Royal Studios, the album often suggests Al Green, Curtis Mayfield, and (especially) Marvin Gaye in various combinations. More importantly, ChesnuTT asserts himself as a highly individual singer/songwriter as he acknowledges his past sins while expressing gratitude and faith. Tracks like “’Till I Met Thee,” “Everybody’s Brother,' and “Love Is More Than a Wedding Day” are sweetly melodic excursions carried by his smoothly emotive vocals.

The brooding “Don’t Follow Me” offers a cautionary tale, while the slinky “What Kind of Cool” and the urgent “Under the Spell of the Handout” take on social issues without preachiness. Punchy horns, billowing strings, and propulsive bass lines render the album’s crisp funk lines and melodic balladry with consistent excellence. A decade after his debut, The Headphone Masterpiece, Cody ChesnuTT refines his blend of old-school R&B and hip-hop attitude on Landing on a Hundred. Here, the Atlanta native sheds his bad-boy persona for a more mature outlook without losing his lyrical wit or musical daring. Partially recorded at Memphis’ legendary Royal Studios, the album often suggests Al Green, Curtis Mayfield, and (especially) Marvin Gaye in various combinations. More importantly, ChesnuTT asserts himself as a highly individual singer/songwriter as he acknowledges his past sins while expressing gratitude and faith.

Tracks like “’Till I Met Thee,” “Everybody’s Brother,' and “Love Is More Than a Wedding Day” are sweetly melodic excursions carried by his smoothly emotive vocals. The brooding “Don’t Follow Me” offers a cautionary tale, while the slinky “What Kind of Cool” and the urgent “Under the Spell of the Handout” take on social issues without preachiness. Punchy horns, billowing strings, and propulsive bass lines render the album’s crisp funk lines and melodic balladry with consistent excellence. For Cody ChesnuTT, life in the music business looked promising from the start. Barely into his teens, he was performing on-stage in his Atlanta hometown, opening for acts that his dad was representing as their manager.

By the time he'd hit his late twenties, ChesnuTT was leading his own group, the Crosswalk, and had inked a recording contract with Hollywood Records. Venus Loves a Melody, his first full-length album, was wrapped up and ready to go. Before that could happen, however, the label released ChesnuTT from the deal.

Not long after, the Crosswalk disbanded. Disheartened, ChesnuTT pulled back and holed up in his bedroom, where he wrote and recorded for himself.

In two years, he laid down more than enough material for a standard album. Three-dozen songs formed his double-disc 2002 debut, The Headphone Masterpiece. Later that year, he collaborated with the Roots for an alternate version of his 'The Seed' -- dubbed 'The Seed (2.0)' -- for the rap band's Phrenology album. While it seemed like ChesnuTT would continue to release music at a prolific rate, the follow-up to his debut was a December 2006 EP, Black Skin No Value. Also during this period, his wife gave birth to two children and the singer wanted time to focus on being a father.

Subsequently, ChesnuTT didn't release a second album until October 2012, when the sophisticated Landing on a Hundred appeared on One Little Indian. A much more robustly produced, yet still organic album, it found ChesnuTT drawing heavily upon Marvin Gaye's classic late-'60s/early-'70s sound. Over the next several years, ChesnuTT continued to split his time between touring and taking time off to be with his family.

In 2017, he returned with the Anthony 'Twilite Tone' Kahn-produced My Love Divine Degree. The album found him better balancing his early lo-fi sound with a dynamic, stylistically varied approach to contemporary R&B. Featured on the album was the single 'Image of Love.' ~ Linda Seida • ORIGIN Atlanta, GA • BORN 1968.